“Art vs Design: Saving Power vs Enframing, or A Thing of the Past vs World-Making”
(with Cameron Tonkinwise) in STUDIO RESEARCH, No 1, 2013, Octivium Press, Queensland College of Art ,Griffith University, Brisbane, Australia, ISSN 1839-6429, pp 6 – 17.
“Walk the Talk: The Politics of Artists Who Write, Part 2”, Art Monthly Australia, No. 261, July 2013, pp 44-46
“Walk the Talk: The Politics of Artists Who Write”, Art Monthly Australia, No. 260, June 2013, pp 33-37
“The Autopoiesis of Colour in the Age of Machinic Shine”, in Su Baker, Paul Thomas and Andrew Varano (Eds), The 2nd International Transdisciplinary Imaging Conference Proceedings, http://blogs.unsw.edu.au/tiic/2012-transdisciplinary-imaging-conference-proceedings/, Australia, ISBN 978 0- 9807186 8 3
“Expanded Painting + Urban ReDesign = Art in a Post Medium Condition”, in Urban Life and Contemporary Arts, East Mediterranean Academic Research Centre, Istanbul, Turkey, April 2013, pp 55-63, ISBN 978-605-4514-05-2
“R+Y+B=P” in Mark Titmarsh (Editor), Black Rainbow, Catalogue Essay, Substation Gallery, Melbourne, Australia, 2012, ISBN 978-0-9871483-4-6
“Thinking The Phenomenon Of Image Through The Poetics Of Contemporary Expanded Painting”, Limes: Borderland Studies, 2012 Volume 5(1): 42–53, in English and Lithuanian, ISSN 2029-7475 print / ISSN 2029-7483 online
“Unbecoming Painting”, with Andre Brodyk, Sean Lowry, Tom Loveday, and Mark Shorter, MOP Projects, 2012, Sydney, Australia ISBN 978‐0‐9871483‐3‐9
“Public Fitting: Wet and Wild Discussions”, with Todd Robinson in The Australasian Journal of Popular Culture, Vol 1, No 3, 2012, pp 383 – 388, ISSN 2045-5852
“R+Y+B=P” in Mark Titmarsh (Editor), Colourism, Catalogue Essay, Peloton Gallery, Sydney, Australia, 2011, ISBN 978-0-9871483-2-2
“Wet and Wild”, with Todd Robinson, in Mark Titmarsh (Editor), Public Fitting, Catalogue Essay, MOP Projects Gallery, Sydney, Australia, 2011, ISBN, 978-09871483-1-5
“Timing and Paint” , with Justin Trendall, in Mark Titmarsh (Editor), Painting and Time, Catalogue Essay, institute of Conemporary Art Newtown, Sydney, Australia, 2011, ISBN, 978-0-9871483-0-8
“Contemporary Hybrid Painting: The Poetics of a Post-Medium Condition”, in Su Baker and Paul Thomas (Eds), New Imaging: Transdisciplinary strategies for art beyond the new media, Published by Transdisciplinary Imaging Conference 2010, Sydney, Australia, 2011, ISBN: 978-0-9807186-6-9
“Consensual Dissensus” in Mark Titmarsh and Alex Gawronski (eds), Loose Papers, Loose Projects 2006 – 2007, Loose Projects, 2009, Sydney, Australia, ISBN:978-0-646-50291
“The Uncanny eX Men”, with Justin Trendall and Damiano Bertoli, eXpandex Catalogue Essay, Tin Sheds Gallery, May 2009 ISBN 978-1-74210-135-4
“Colour me That”, Chromophilia Catalogue Essay, MOP Projects Sydney, February 2009
“Edge of Painting”, 3D Painting Catalogue, Conny Dietzschold Gallery, Sydney, 2008
“Nothing Changes”, with Justin Trendall, Nothing changes, changes Everything Catalogue, UTS Gallery, Sydney, 2008
“Thinking Heidegger’s post aesthetics through the expanded field of painting (2008) in Palmer, C. and Torevell, D. (eds) The Turn to Aesthetics, an interdisciplinary exchange of ideas in applied and philosophical aesthetics. Liverpool Hope University Press, United Kingdom. ISBN: 9780951584736
“Sheer Aesthetics”, (2008) in Palmer, C. and Torevell, D. (eds) The Turn to Aesthetics, an interdisciplinary exchange of ideas in applied and philosophical aesthetics. Liverpool Hope University Press, United Kingdom. ISBN: 9780951584736
“Brushmen of the Bush”, interview with Nicholas Chambers, Blueprints for a New Topiary Catalogue, Metro Arts, Brisbane, 2007
“Building Dwelling Thinking“ (with Justin Trendall), Catalogue Essay for Building Dwelling Thinking, SNO Contemporary Art Projects, Sydney, April 2007.
"Feeling the Rub: Making an Ontology of Painting”, in Ian Gwilt (Ed), madeKnown: Digital Technologies and the Ontology of Making, UTS, Sydney, 2006
“Kunst contra Capitalism”, Free Market Catalogue, Loose Projects, Sydney, 2006
“The Fourfold Negation”, Hardware Catalogue, UTS Gallery, Sydney, September 2006
“Certain Relations in 21st Century Art”, Cones of Zontact Catalogue, Loose Projects, Sydney, 2006
“Shapes of Inhabitation: Painting in the Expanded Field”, Art Monthly Australia May 2006 No 189.
“Crisis on Infinite Earths”, Earth catalogue, Loose Projects, Sydney, May 2006
“Worlding”, World catalogue, Bellas Milani Gallery, Brisbane, May 2006
“The always-already-having-been-there”, Photofile , No.77, Autumn 2006
“The Origin of the Work of Art in the Age of Collective Discursivity”, Natural Selection, No 5, Summer 2006, New Zealand, http://www.naturalselection.org.nz/ (special section on Ian Burn, edited by Ann Stephen)
“Now Voyagers: Psychogeography and Time”, Photofile, No. 75, Spring 2005
“dirty sweet”, hubcapdiamondstarhalo Catalogue, Spacement Galery, Melbourne, 2005
“What are artists for?”, exfoliate Catalogue, Esa Jaske Gallery, Sydney, 2005
“ La Lutte Continue”, Local Art, July 2004, Brisbane
“Time and Tide”, Art Monthly, June 2004, Sydney.
“In the shadows to the left”, Weather Catalogue, Sydney, 2002.
“River of Forgetfulness”, Subliminal Catalogue, Melbourne, 2002.
“Solid Glod”. 12345, Sydney, 2002.
“The Question Concerning Technology”, Lives of the Artists, No. 2, Sydney, 2002.
“From Chippendale to Bethnal Green: Stuff Gallery”, Australian Art Collector, Issue 15, Jan-Mar 2001.
“Everything Up to Now”, Stream of Consciousness Catalogue, Sydney, 2001.
“Museums of Influence – The Evolution of The Australian Art Museum and its Influence on Contemporary Art”, Australian Art Collector, No. 11, 2000.
“The Seppelt Contemporary Art Awards”, Object, Issue 3, 2000.
“Stand by Me” in Australian Art Collector, No 5, 1998.
“Devotion”. Object, Issue 4, 1998.
“photo povera”, Catalogue Essay, photo povera, Group 3 three, 151 Regent Street Gallery, Sydney, 1997.
“CBD Gallery” and “151 Regent Street Gallery”, Australian Art Collector, No.1, Jul-Sep, 1997.
“Artists install the third Millenium” and “Sarah Cottier Gallery” in Australian Art Collector, No.2, Oct-Dec, 1997.
“Inside Innenseite”, Object, No 3 1997.
“Teach Me, Teach Me” and “ Side On Inc” in Australian Art Collector, No.3, 1997.
“One and Two Thirds”, Catalogue Essay, Informal, Lobby Gallery. 1996.
“Onion Skin Airmail”, Art Hotline 0055 29334 1992 -95, Sydney 1995.
"Being There", Agenda, October 1990.
"Of Future Virtues", Australian Perspecta Catalogue, AGNSW, Sydney, 1989.
"Untimely Meditations", with Lindy Lee, Art and Australia, Spring 1988.
"Observations on the Abysmal", Pleasure of the Gaze - Image and Appearance in Recent Australian Art, Art Gallery of Western Australia, June 1985.
"sight is apocryphal", On the Beach 10, Winter 1986.
"I see a red door and I want to paint it black", Australian Perspecta Catalogue, Art Gallery of New South Wales, 1985.
"The Laboratory of Practical Images", The Life of Energies Catalogue, Artspace, September 1983.
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WRITINGS IN TRANSLATION
“Suivez le Soleil”, 7th Montreal International Super 8 Film Festival Catalogue, Montreal, Quebec, Canada, 1986, a French translation of the catalogue essay Follow the Sun, 1986.
“ATVAIZDO FENOMENO REFLEKSIJA ŠIUOLAIKINĖS
IŠPLĖSTINĖS TAPYBOS POETIKOJE” ,Lithuanian translation of “Thinking The Phenomenon Of Image Through The Poetics Of Contemporary Expanded Painting”, Limes: Borderland Studies, 2012 Volume 5(1): 42–53, in English and Lithuanian, ISSN 2029-7475 print / ISSN 2029-7483 online
“El Auge del Super 8 en Australia”, Spanish translation of “The Rise of Super 8 in Australia”, 13 th Festival of International New Super 8 Cinema and Video, Caracas, Venezuela, 1988, p15.
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CRITICAL AND THEORETICAL WRITING: FILM AND VIDEO
“The Super 8 Effect”, Catalogue Essay, The Super 8 Effect, Chauvel Cinema, Sydney, 2006
“Stickin’ it to the Man”, SynCity Catalogue, dLux Media Arts, Sydney, October 2006 ISBN 0-9751369-1-7
“Stargazing: The Super 8 Scene of the 1980s”, SynCity Catalogue, dLux Media Arts, Sydney, October 2006 ISBN 0-9751369-1-7
“TV Writings 1981 – 1985”, Sun Valley Research, 2004, David Haines and Joyce Hinterding (Editors), http://www.sunvalleyresearch.com/
“Number of the Beast”, Catalogue Essay, Super 80s Catalogue, Museum of Contemporary Art, Sydney, 1998.
”Game with Vestiges - Interview with Jean Baudrillard”, with Salvatore Mele. Reprinted in Baudrillard LIve: Selected Interviews, Routledge and Kegan Paul, London, 1993. ISBN 978-0-415-07038-6 (paperback) 978-0-415-07037-9 (hardback) 978-0-203-41585-6 (electronic)
"Metaphysical TV”, Metaphysical TV Catalogue, Sydney, 1988.
”Metaphysical TV” On the Beach, 12, Spring 1987.
”The Rise of Super 8 in Australia”, 17th Ann Arbor 8mm Film Festival Catalog, Ann Arbor, USA, 1987, p9.
Foreign Correspondence - The International Super 8 Phenomenon, The International Center for 8mm Film and Video, Boston, 1986.
”Follow the Sun”, Follow the Sun Catalogue, AFC and Mark Titmarsh. January 1986.
“Follow the Sun”, This Year Italy Catalogue, Artspace, May 1986.
”YTV”, Follow the Sun Catalogue, January 1986.
Super 8 Yearbook 1986, Melbourne 1986.
”Super 8 in America”, Filmnews, June 1986.
”Mondo Cane”, Follow the Sun Catalogue, January 1986.
”The Rise of Super 8 in Australia”, Foreign Correspondence - The International Super 8 Phenomenon, The International Center for 8mm Film and Video, Boston, 1986.
“Super 8 Now”, The 32nd Sydney Film Festival Forum, June 1985.
“In the House of Super 8”, Art Network 16, Winter 1985.
”28 All Time Greats of Super 8”, Issue 3, September 1985.
“The Titan's Goblet”, Tension, 8, September 1985.
“Super 8 Chronogramme”, Super 8 Reader, 3, November 1985.
”Game with Vestiges - Interview with Jean Baudrillard”, with Salvatore Mele. On the Beach, 5, Winter 1984, reprinted in Baudrillard LIve: Selected Interviews, Routledge and Kegan Paul, London, 1993
”Square Bashing”, On the Beach, 5, Winter 1985.
”Imitation of Life”, Super 8 Reader, 2, 1984.
”Choose Purple”, On the Beach, 6, Spring 1984.
“Super 8: From Poseidon Adventure to Atlantis Effect”, On the Beach, No.1, Autumn 1983.
“Insurrection of the Humanoids”, Stuff, 9 May 1983.
”Introduction”, Independent Super 8 Films from Australia Catalogue, AFC and Mark Titmarsh, Sydney, October 1983.
”Touch Me Television”, On the Beach, 3/4, Autumn 1983.
“Super 8: The Unconscious of Film”, Filmnews, October 1982.
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BOOK CHAPTERS
Art Hotline, Baudrillard Live, The Turn to Aesthetics, Loose Papers, Transdisciplinary Imaging Conference Proceedings 2010, 2012, Urban Life and Contemporary Arts
“Thinking Heidegger’s post aesthetics through the expanded field of painting (2008) in Palmer, C. and Torevell, D. (eds) The Turn to Aesthetics, an interdisciplinary exchange of ideas in applied and philosophical aesthetics. Liverpool Hope University Press, United Kingdom. ISBN: 9780951584736
“Sheer Aesthetics”, (2008) in Palmer, C. and Torevell, D. (eds) The Turn to Aesthetics, an interdisciplinary exchange of ideas in applied and philosophical aesthetics. Liverpool Hope University Press, United Kingdom. ISBN: 9780951584736
"Consensual Dissensus” in Mark Titmarsh and Alex Gawronski (eds), Loose Papers, Loose Projects 2006 – 2007, Loose Projects, 2009, Sydney, Australia, ISBN:978-0-646-50291
“Expanded Painting + Urban ReDesign = Art in a Post Medium Condition”, in Urban Life and Contemporary Arts, East Mediterranean Academic Research Centre, Istanbul, Turkey, April 2013, pp 55-63, ISBN 978-605-4514-05-2
”Game with Vestiges - Interview with Jean Baudrillard”, with Salvatore Mele. Reprinted in Baudrillard LIve: Selected Interviews, Routledge and Kegan Paul, London, 1993. ISBN 978-0-415-07038-6 (paperback) 978-0-415-07037-9 (hardback) 978-0-203-41585-6 (electronic)
“Onion Skin Airmail”, Art Hotline 0055 29334 1992 -95, Sydney 1995.
“Contemporary Hybrid Painting: The Poetics of a Post-Medium Condition”, in Su Baker and Paul Thomas (Eds), New Imaging: Transdisciplinary strategies for art beyond the new media, Published by Transdisciplinary Imaging Conference Proceedings 2010, Sydney, Australia, 2011, ISBN: 978-0-9807186-6-9
“The Autopoiesis of Colour in the Age of Machinic Shine”, in Su Baker, Paul Thomas and Andrew Varano (Eds), The 2nd International Transdisciplinary Imaging Conference Proceedings, http://blogs.unsw.edu.au/tiic/2012-transdisciplinary-imaging-conference-proceedings/, Australia, 2013 ISBN 978 0- 9807186 8 3
“Towards an Ontology of Colour in the Age of Machinic Shine”,
Interference Strategies, Leonardo Electronic Almanac 2014, Volume 20 No 2, pp132-145, ISBN: 978-1-906897-32-1 ISSN: 1071-4391
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CITATIONS
As per Google Scholar, 31 articles (incomplete), 60 citations, H index 2 [at May 2015]
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PUBLICATIONS AS EDITOR
1983 – 1986: On the Beach Magazine, 1983 – 1986.
1983: Independent Super 8 Film From Australia, Sydney.
1986: Follow the Sun, Sydney.
1988: Metaphysical TV, Sydney.
1997 Art Hotline:1992 – 1995, Sydney.
1997 – 2001: Australian Art Collector (Associate Editor)
2006: SynCity Catalogue, Australian Centre for Photography, Sydney
2009: Loose Papers, Loose Projects 2006 – 2007, Sydney
eXpandex Catalogue, Tin Sheds Gallery, May 2009
2011: Painting and Time, institute of Contemporary Art Newtown, Sydney, Australia, 2011
Public Fitting, MOP Projects, Sydney, Australia, 2011
Colourism, Peloton Gallery, Sydney, Australia, 2011, republished in Black Rainbow, Substation Gallery, Melbourne, Australia, 2012
2012: Re-extended Painting, MOP Projects, Sydney, Australia, 2012
2014: True Colour, Published by Mark Titmarsh, Justin Trendall and Marrickville Garage, Sydney, 2014, ISBN 978 0 9871483 5 3
In Motion Catalogue, Published by AirSpace Projects, Sydney, November 2014.
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