Book/Chapters
Titmarsh, Mark. “Sight, Insight, and Out of Sight: From Light as Information to Colour as World.”
In Leonardo Electronic Almanac 22, no. 1, edited by Lanfranco Aceti, Paul Thomas, and Edward Colless. Cambridge, MA: LEA / MIT Press, 2017.
ISSN: 1071-4391 ISBN: 978-1-906897-62-8
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"Expanded Painting"
Bloomsbury, London
Hardback, 224 pages, 33 illustrations
Published worldwide 24 July 2017.
Purchase online at:
https://www.bloomsbury.com
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“Towards an Ontology of Colour in the Age of Machinic Shine”
Interference Strategies, Leonardo Electronic Almanac 2014, Volume 20 No 2, pp132-145, ISBN: 978-1-906897-32-1 ISSN: 1071-4391
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“The ABC of Paynting”
in Sarah Cottier Gallery, 20 years 200 exhibitions, 2014, Formist Publishers, Sydney, ISBN 978 0 9875268 4 7 (hbk)
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“The Autopoiesis of Colour in the Age of Machinic Shine”
in Su Baker, Paul Thomas and Andrew Varano (Eds), The 2nd International Transdisciplinary Imaging Conference Proceedings, Australia, ISBN 978 0- 9807186 8 3
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“Expanded Painting + Urban ReDesign = Art in a Post Medium Condition”
in Urban Life and Contemporary Arts, East Mediterranean Academic Research Centre, Istanbul, Turkey, April 2013, pp 55-63, ISBN 978-605-4514-05-2
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“Contemporary Hybrid Painting: The Poetics of a Post-Medium Condition”
in Su Baker and Paul Thomas (Eds), New Imaging: Transdisciplinary strategies for art beyond the new media, Published by Transdisciplinary Imaging Conference 2010, Sydney, Australia, 2011, ISBN: 978-0-9807186-6-9
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“Consensual Dissensus”
in Mark Titmarsh and Alex Gawronski (eds), Loose Papers, Loose Projects 2006 – 2007, Loose Projects, 2009, Sydney, Australia, ISBN:978-0-646-50291
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“Thinking Heidegger’s post aesthetics through the expanded field of painting" (2008)
in Palmer, C. and Torevell, D. (eds) The Turn to Aesthetics, an interdisciplinary exchange of ideas in applied and philosophical aesthetics. Liverpool Hope University Press, United Kingdom. ISBN: 978095158473
“Sheer Aesthetics” (2008)
in Palmer, C. and Torevell, D. (eds) The Turn to Aesthetics, an interdisciplinary exchange of ideas in applied and philosophical aesthetics. Liverpool Hope University Press, United Kingdom. ISBN: 9780951584736
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"Feeling the Rub: Making an Ontology of Painting"
in Ian Gwilt (Ed), madeKnown: Digital Technologies and the Ontology of Making, UTS, Sydney, 2006
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“Stickin’ it to the Man”
SynCity Catalogue, dLux Media Arts, Sydney, October 2006 ISBN 0-9751369-1-7
“Stargazing: The Super 8 Scene of the 1980s”
SynCity Catalogue, dLux Media Arts, Sydney, October 2006 ISBN 0-9751369-1-7
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”Game with Vestiges - Interview with Jean Baudrillard”
with Salvatore Mele. Reprinted in Baudrillard LIve: Selected Interviews, Routledge and Kegan Paul, London, 1993. ISBN 978-0-415-07038-6 (paperback) 978-0-415-07037-9 (hardback) 978-0-203-41585-6 (electronic)
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Journal Articles
"Piss Off Westconnex"
in Art + Australia. 2019. Issue Five (55.2): Brutalism
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Mark Titmarsh (2019) Rein Man: A Review of Reigning Men: Fashion in Menswear, 1715–2015
Fashion Theory, DOI:
LINK to online article
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What do images want? Towards an Economy of the Image in the Age of Digital Envisioning
Proceedings of the 5th International Transdisciplinary Image Conference, Edinburgh
LINK to online article
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“When is an installation, a garment, or a building really a painting?”
A + a (Art and Ausrtalia) online, March 2018, Review of Katharina Grosse: The Horse Trotted Another Couple of Metres, Then it Stopped, Carriageworks, Sydney January 6—April 8 2018
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“How painting escaped the canvas and another brush with death”
The Conversation,
December 18, 2017.
LINK to online article
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“In the Light of David Batchelor's Books on Colour: Chromophobia and The
Luminous and the Grey”
Architectural Theory Review, Volume 19, Issue 2, 2014 pp. 263-266 | DOI: 10.1080/13264826.2014.968958
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“Art vs Design: Saving Power vs Enframing, or A Thing of the Past vs World-Making”
(with Cameron Tonkinwise) in STUDIO RESEARCH, No 1, 2013, Octivium Press, Queensland College of Art ,Griffith University, Brisbane, Australia, ISSN 1839-6429, pp 6 – 17.
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“Walk the Talk: The Politics of Artists Who Write, Part 2”
Art Monthly Australia, No. 261, July 2013, pp 44-46
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“Walk the Talk: The Politics of Artists Who Write”
Art Monthly Australia, No. 260, June 2013, pp 33-37
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“Thinking The Phenomenon Of Image Through The Poetics Of Contemporary Expanded Painting”
Limes: Borderland Studies, 2012 Volume 5(1): 42–53, in English and Lithuanian, ISSN 2029-7475 print / ISSN 2029-7483 online
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“Public Fitting: Wet and Wild Discussions”
with Todd Robinson in The Australasian Journal of Popular Culture, Vol 1, No 3, 2012, pp 383 – 388, ISSN 2045-5852
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“Shapes of Inhabitation: Painting in the Expanded Field”
Art Monthly Australia May 2006 No 189
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“The always-already-having-been-there”
Photofile , No.77, Autumn 2006
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“The Origin of the Work of Art in the Age of Collective Discursivity”
Natural Selection, No 5, Summer 2006, New Zealand (special section on Ian Burn, edited by Ann Stephen)
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“Now Voyagers: Psychogeography and Time”
Photofile, No. 75, Spring 2005
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“Time and Tide”
Art Monthly, June 2004, Sydney
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“Onion Skin Airmail”
Art Hotline 0055 29334 1992 -95, Sydney 1995
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"Untimely Meditations"
with Lindy Lee, Art and Australia, Spring 1988
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"Touch Me Television"
On The Beach ¾ 1984
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"The Titans Goblet"
Tension, No 8, Sep 1985
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