blend bleed
with Justin Trendall
Sydenham International
81 Sydenham Rd
Marrickville
Sydney NSW 2204
Australia
10 April – 2 May 2026
Curated by Consuelo Cavaniglia and Brendan Van Hek
Image details: Mark Titmarsh, installation view, Proposal for a new Australian flag, 2026, dye sublimation print on polyester fabric, 2000 x 4000 mm. Photo: Consuelo Cavaniglia.
The Disorder of Before and After
CasCaDas Artspace
Barcelona, Spain
10 – 29 October, 2025
Curated by Fiona Fell
Image details: blend theory (cezanne), 2025, synthetic polymer paint on found print of Cezanne, 50 x 58 cms.
The 4th Australian Biennale of Reductive Art
Articulate Gallery
Sydney, Australia
6 – 28 Sep 2025
Curated by Beata Geyer
Link to show
Image details: theory of blend 3, 2025, synthetic polymer paint on canvas, in a Perspex case, 30 x 21 cm.
The Nature of Things
with Justin Trendall
Factory 49 Gallery
Marrickville, Sydney, Australia
22 March 2025
Link Launch talk by Cameron Tonkinwise
Image details: Installation view, The Nature of Things, Factory 49 Gallery, Trendall in foreground, Titmarsh in background.
Shape Shifters : A Retrospective of Australian Collage
Wollongong City Gallery, NSW Australia
7 December 2024 – 2 March 2025
Curated by Angie Cass
Image Details: Mark Titmarsh, Face to face, 1987, collage, synthetic polymer paint on paper,
13.3 x 9.6 cm sight; 35 x 30 x 2 cm frame, Collection: Art Gallery of New South Wales –
Purchased 1987
Theory of Blend
2023
Spray paint on canvas
40 x 30cm
In The 3rd Australian Biennale of Reductive Art
Reflex
University of Technology, Sydney (UTS) Tower
15 Broadway, Ultimo, Sydney 2007
22 December 2023 – 28 January 2024
Curated by Mark Titmarsh and Billy Gruner
Mark Titmarsh and Johanna Malt
earth/World
2023
Digital print on cotton canvas on plywood on floor
92 x 190 cm
In First Hand
/Origin\ Forward/ Slash\ Group
(Sacha Golob, Marie Hay, Johanna Malt, Hester Reeve and Mark Titmarsh with Jan Hopkins)
Flat Time House
London, UK
29 Sep – 5 Nov 2023
Curated by Gareth Bell-Jones.
Poster Design
Hiding Out
2023
/origin\ forward/ slash\ (Sacha Golob, Maire Hay, Johanna Malt, Hester Reeve, Mark Titmarsh)
in conversation with Art and Language (Mel Ramsden and Michael Baldwin)
with Paul Wood (Editor of Art in Theory) and Michael Corris (alumni of Art and Language)
Flat Time House
London, U.K.
20 July 2023
Advanced DefJam (1987)
Acrylic on paper, 100 × 180 cm
(Collection of Catriona Moore)
Re/production: Australian Art from the 1980s and 1990s
Curated by John Cruthers
16 Albermarle Gallery
Sydney, Australia
29 August – 10 October 2020
Chromatophore (2019)
Wallwork – Metallic foil, 3.1 x 5.5 metres
Installation view: “Coterie to Coterie”
Biennale of International Reductive and Non Objective Art
Stores Building
Corner of New & Dunlop St
North Parramatta NSW
19 October 2019 to 21 December 2019
Curated by Billy Gruner & Graham Davis King
Untitled (magenta spiro) (2019)
Acrylic and adhesive foil on wood
14.8 x 21 cm
Collection of Robert Lake
Untitled (green spiro) (2019)
Acrylic and adhesive foil on wood
14.8 x 21 cm
Collection of Robert Lake
Stonevilla Fundraiser
Chrissie Cottier Gallery
31A Pidcock St, Camperdown
Sydney NSW 2050
Friday 22 November 2019
Magenta (spiro) (2019)
Acrylic on foil on canvas
26 x 30 cm
Collection of Justene Williams
Auction
KNULP Projects
15 Fowler St, Camperdown
Sydney NSW 2050
“Piss Off WestConnex”, 2019
Denise Corrigan, David Watson and Mark Titmarsh
Installation view, 25 February 2019
Acrylic paint on Marine Ply, 22 metres by 2 metres, installed on temporary hoarding at ex-Tigers Leagues Club, Victoria Rd, Rozelle, Sydney.
Photo: Mark Titmarsh
In-A-Gadda-Da-Vida (2018)
Acrylic and resin on aluminium, 110 x 90 cms
Logo Design
Rozelle Against WestConnex (RAW) Logo
2017
Designed for “Sensitive Receivers: Rejecting WestConnex”
Salon Callan, Sydney
13–14 May 2017
Light from Light (2017)
Installation view, Knulp Gallery, Sydney
Wall work, magenta metallic foil, 302 x 302 cm
Wet Paint (2017)
Ideas Platform, Artspace, Sydney.
Photo: Jessica Maurer
Light from Light (2016)
Triptych, each panel 110 x 90 cm
Acrylic and automotive polish on aluminium
Photo: Arthur Georgeson
Lines of Force (2015)
Installation view, Sydney College of Arts Gallery
Photo: Arthur Georgeson
Shine (2015)
Acrylic and resin on aluminium
20 x 35 cm
New Earth (Magenta) (2015)
Metallic vinyl on aluminium
200 x 110 cm
Photo: Arthur Georgeson
North West Passage (2015)
Acrylic and automotive polish on aluminium
100 x 90 cm
Photo: Arthur Georgeson
New Earth (magenta minor) (2015)
Installation view, North-West at North Project Gallery, 2015
35 x 50 cm
New Earth (magenta minor) (2015)
Aluminium foil on canvas
50 x 35 cm
Photo: Arthur Georgeson
True Colour (2014)
Installation view, Marrickville Garage Gallery
4 collages on paper (dust jackets) mounted on aluminium
Variable dimensions
Photo: Arthur Georgeson
Picturing Movement (2014)
Acrylic on paper (dust jacket)
48.3 x 37.5 cm
Photo: Arthur Georgeson
Butcher’s Hook (2013–14) (detail)
52 paper collages (dust jackets)
Variable dimensions
Photo: Arthur Georgeson
Van (2013)
Paper collage (dust jacket), mounted on aluminium
28.5 x 24.2 cm
Photo: Arthur Georgeson
Undiscovered Minimalism (2013)
Collage on paper (dust jacket)
Photo: Arthur Georgeson
Comic Book Culture (2013) (detail)
Paper collage (dust jackets)
Black Rainbow (2012)
Installation view, Substation, Melbourne
Isolated Houses (2012) (detail)
Acrylic on paper (dust jacket)
Music (2011)
Acrylic paint on paper (dust jacket) on hardboard
120 x 80.5 cm
Library of Congress 3, (On Kawara, Cildo Meireles) (2011) (detail)
Each image is acrylic on paper (dust jacket) on aluminium
28.5 x 99 cm
Colourism – Solo Exhibition (2011)
Installation view, Peloton Gallery, Sydney
Book of Light 6 (red) (2011)
Acrylic paint on acrylic glass
31 x 23 x 4 cm
Book of Light 7 (blue/red) (2011)
Acrylic paint on acrylic glass
20 x 35 x 4 cm
Big Pond (2011)
Acrylic on paper (dust jacket) on canvas
210 x 332 cm
Phenomenological Investigations of Aristotle (2011)
Acrylic on paper (dust jacket)
30.5 x 52.5 cm
Colour for Websites (2010)
Acrylic on paper (dust jacket)
90 x 66.5 cm
Colour for Websites (2010) (detail)
Acrylic on paper (dust jacket)
90 x 66.5 cm
Untitled (2009)
Acrylic on Marblo
6 x 10 cm
Chromophiliac (2008)
Digital image
Mattering 1 (2007)
Acrylic on aluminium
90 x 110 cm
self unfolding (2006)
Acrylic and resin on aluminium
200 x 110 cm
Photo: Paul Pavlou
Untitled (2006)
Acrylic on gatorboard
18 x 10 cm
LTR (2006)
Acrylic on aluminium
90 x 110 cm
DZN (2006)
Acrylic on canvas
90 x 110 cm
Untitled (2005)
Acrylic on gator board
16 x 8 cm
DSD (2005)
Acrylic on anodised aluminium
90 x 110 cm
Photo: Arthur Georgeson
PMB Parts 1, 2, 3 and 4 (2004)
Acrylic and resin on canvas
Each 45 x 55 cm
TSA (2002)
Acrylic and resin on aluminium
20 x 12 cm
Photo: Arthur Georgeson
OTD (2002) (detail)
Acrylic and resin on transparent plastic
90 x 110 cm
LT (2002) (detail)
Tinted resin
Various dimensions, floor piece
Photo: Arthur Georgeson
NKJ (2001)
Acrylic and resin on canvas
90 x 110 cm
I am (your motherboard) (2000)
Acrylic on printed canvas
62 x 44 cm
University of Technology Sydney Art Collection
I am (Duke Dot) (1994)
Acrylic on paper on canvas stretcher
30 x 20 cm
Soul Train (1993)
Art Hotline
The Passing of Leviathan (1993)
Acrylic on printed canvas, on marble shelf
I am (LeopardMan) (1993)
Acrylic on paper on canvas on glass shelf
2.4 x 1.8 x 1 metre
The Obscurity of Heraclitus (1991)
Acrylic on paper (book page), laminated on canvas
I know my fate (1991)
Acrylic on paper (book pages) laminated on canvas
Enemy of Irony (1991)
Exhibition view, Bellas Gallery, Brisbane
What I owe the Moderns (1989)
Acrylic on printed paper laminated on canvas
Collection of the Art Gallery of Western Australia
Not a Sceptic (1989)
Acrylic on canvas, 3 panels
Possessing Character (1988)
Acrylic on paper (book covers)
Collection of the Monash University Museum of Art
Sorrow is Knowledge (1988)
Acrylic on printed canvas
Collection of Rowan Woods
Purposes? Will? The Battle of Ideas! (1987)
Acrylic on paper
3 m x 2 m
Velleda and the Golden Sickle (1987)
gouache on printed paper
collection of Gordon Bennett
Out of the Depths (1987)
Gouache on paper
Collection of the Art Gallery of NSW
Night of the Living Dead (1983)
Stills from Super 8mm film
Photos: Geoffrey Boccalatte