blend bleed
with Justin Trendall
Sydenham International
81 Sydenham Rd
Marrickville, Sydney NSW 2204
Australia
10 April 2026 – 2 May 2026
Curated by Consuelo Cavaniglia and Brendan Van Hek
Image details: Maquette, for a new Australian flag, 2024,
synthetic polymer paint on cardboard, wood and sandstone,
640 x 480 x 212 mm.
The Disorder of Before and After
CasCaDas Artspace
Barcelona, Spain
10 October 2025 – 29 October 2025
Curated by Fiona Fell
Image details: Blend theory (three graces), 2025, synthetic polymer paint on ceramic, 25 x 15 x 10 cm.
Tremolo
Sausage Gallery
Katoomba, NSW, Australia
15 July 2025 – 26 July 2025
Curated by Rohan Stanley
Link to show
Image details: Installation view, Tremolo, 2025, Sausage Gallery, synthetic polymer paint on rubber tubing, dimensions variable. Photo: Helen Pynor.
The Nature of Things
Factory 49 Gallery
Marrickville, Sydney, Australia
22 March 2025
Launch talk by Cameron Tonkinwise
Image details: centri-fugue, 2024
Spray paint, rubber tubing, plastic case, 27 x 41 x 10.1 cm
The Grammarian (2023)
Synthetic polymer paint on polycarbonate
16.4 x 5 x 5 cm
Suspended on wire
In The Third Australian Biennale of Reductive Art (3.2)
Kree House
43 Old Bathurst Rd
Woodford / Durubbin
Blue Mountains
29 October 2023
Curated by Billy Gruner and Mark Titmarsh
Chromoman 14 residue (2023)
Spray string
Dimensions variable
In Material Action
Florence Peake, Hester Reeve, Mark Titmarsh & John Latham
Gloam Gallery
Sheffield, UK
4 October 2023 – 8 October 2023
Curated by Stu Burke
painting, dwelling, thinking (2023)
Spray paint on wood
8.5 x 13 x 6 cm
In The Third Australian Biennale of Reductive Art (3.1)
Brisbane / Meanjin
Eisenmenger House
In association with West Projects and AUSTRALIAN MODERN Publishing
9 Burchell St, Carina, Brisbane
30 September 2023
Curated by Billy Gruner, Tarn McLean and Mark Titmarsh
OWA (2023)
with Johanna Malt
Left: Spray paint on wood, 18.5 x 14 x 4.5 cm
Centre: Automotive paint and lacquer on wood, 28 x 20 x 4.75 cm
Right: Automotive paint and lacquer on polycarbonate, 22 x 14.5 x 1.3 cm
In First Hand
/origin\ forward/ slash\
(Sacha Golob, Marie Hay, Johanna Malt, Hester Reeve and Mark Titmarsh with Jan Hopkins)
Flat Time House
London, UK
29 September 2023 – 5 November 2023
Curated by Gareth Bell-Jones
Carl Andre’s Response 1 (2023)
Installation view of a Primark bag placed in front of Sylvie Fleury’s installation
of haute couture carry bags at Sprüth Magers Gallery, London.
Intervention took place on 27 September 2023 during Sylvie Fleury retrospective show,
S.F.
22 September 2023 – 4 November 2023,
Sprüth Magers, London.
Whet Paynt (Pink) (2017–2019)
slumped acrylic, 180 x 50 x 70 cm
Installation view “Ferment 4”
Articulate Projects, Sydney
25–27 January 2019
Northwest Passage 2 (2017)
Installation view “Zombie Painting”, Stacks Projects, Sydney
22 March 2018 – 8 April 2018
Photo: Tom Loveday
Installation view, Wet Paint, 2017, Ideas Platform, Artspace, Sydney
Light from Light (2017)
Installation view, Knulp Gallery, Sydney
Wall work, magenta metallic foil, 302 x 302 cm
Floor work, Mirror Ball containing 42 mirror balls, 63 cm diameter
Shelf work (out of view), pink slumped acrylic glass, 6 x 18 x 8 cm
Photo: Arthur Georgeson
Northwest Passage 2 (2017)
Finalist Woollahra Small Sculpture Prize 2017
14 October 2017 – 5 November 2017
Woollahra Council Chambers, 536 New South Head Road, Double Bay, Sydney, NSW
Photo: Paul Pavlou
Chromus (Green) & Chromus (Orange) (2016)
Installation view, Galeries Victoria, George St, Sydney CBD
Slumped perspex suspended from glass canopy
Each work, 200 x 100 x 30 cm
Photo: Paul Sutton
Painting Out (2015)
Remnants from performance with brushes, mirror balls and coloured balls
Variable dimensions
Looking through a Piece of Plastic (2014)
Spray string in multicoloured acrylic glass and acrylic mirror
20 cm cube
Chromophiliac 2.1 (2013)
Slumped perspex
Marrickville Garage, curated by Jane Polkinghorne and Sarah Newall
Library of Congress 6 (2012)
Installation view at Substation Gallery, Melbourne
Variable dimensions
Proposal for painting Foley Street buildings, Darlinghurst, Sydney (2012)
with Natalie Behjan
Book of Light 11 (2011)
Acrylic paint on acrylic glass
14.5 x 11 x 4 cm
Installation view
In An Expanding Field
Gloam Gallery
160 Arundel Street, S1 4RE
Sheffield, UK
10 June 2022 – 3 July 2022
Curated by Stuart Burke
Salon (2011)
Installation view at Eastern Block Gallery, Sydney
Ralph Lauren (2011)
Acrylic on paper (slip jacket)
40 x 31 x 6.5 cm
Speaks Volumes (2011)
Installation view at MOP Projects, Sydney
Pucci (2011)
Acrylic (paint) on acrylic (dust jacket) on acrylic (glass)
37 x 120 x 25 cm (including shelf)
Library of Congress (2011)
Acrylic on paper (dust jackets) laminated on hardboard
Dimensions variable
Colourism (2011)
Acrylic resin, paint
Book of Light 4 (blue/magenta) (2011)
Acrylic paint on acrylic glass
15 x 18.5 x 4 cm
Book of Light 6 (red) (2011)
acrylic paint on acrylic glass
31 x 23 x 4cm
Ghosting (2010)
Slumped perspex on industrial bracket
Installation view, popup gallery event In Temperance, Sydney
Collective Polychrome (2010)
With Billy Gruner and Kyle Jenkins
Proposal for painting oil silos, Maine, USA (2009)
With Eamon Davern
Chromophiliac 2.1 (Purple) (2009)
slumped perspex
40 x 50 x 60 cm
Installation view “RIGHT HERE, RIGHT NOW”, curated by Michael Do
Penrith Regional Gallery, Hazelhurst, Sydney
Blue Moon Candy Table (2009)
Installation view, “RIGHT HERE, RIGHT NOW”, curated by Michael Do
Penrith Regional Gallery, Hazelhurst, Sydney
Slumped perspex
TBC dimensions
Yellow Cobra Chair (2009)
Installation view, “RIGHT HERE, RIGHT NOW”, curated by Michael Do
Penrith Regional Gallery, Hazelhurst, Sydney
Slumped perspex
Blue Moon Table (2009)
Slumped Perspex
40 x 90 x 90 cm
In Summer Group Exhibition (Conversations and Collaborations)
Sally Dan-Cuthbert Gallery
Sydney, Australia
16 December 2020 – 7 February 2021
(Untitled) Marblo 2 (2009)
Marblo, acrylic paint
(Untitled) Marblo 1 (2009)
Marblo, acrylic paint
Chromophiliac 2.i (Green) and Chromophiliac 2.ii (Pink) (2009)
Slumped acrylic
70 x 60 x 50 cm (approx.)
Blue Moon Candy Table (2009)
Slumped perspex
Chromophiliac (Pink) and (Violet) (2009)
Sculpture in the Gardens 2017, Mudgee, NSW
Photo: Amber Hooper
Yellow Cobra Chair (2009)
Slumped perspex on dining table chair
85 x 48 x 50 cm (approx.)
Expandex (2009)
Installation view at Tin Sheds Gallery, Sydney
Chromophiliac 2.i (Green) (2009)
Slumped acrylic
70 x 60 x 50 cm (approx.)
Chromophiliac 2.5 (Violet) (2009)
Slumped acrylic
70 x 60 x 50 cm (approx.)
Chromophiliac 2.4 (Green) (2009)
Slumped acrylic
70 x 60 x 50 cm (approx.)
Chromophiliac 2.6 (Pink) (2009)
Slumped acrylic
40 x 30 x 30 cm (approx.)
Temple (2008)
Acrylic glass, acrylic paint
44 cm cube
Photo: Paul Pavlou
Citing Non-Sites (2008)
Floor work, acrylic mirror, coloured Perspex, mirror ball
20 x 120 x 192 cm
Wet Paint in Run Time (2006)
Shelf, mobile phone, video, acrylic paint
Dimensions variable
Moraine (2006)
Wheelbarrow, carpet, fresh flowers, synthetic flowers
Dimensions variable
Photo: Arthur Georgeson
Moraine 3 (2006)
Carpet, wheelbarrow, mirror balls, bouncy balls
Dimensions variable
Photo: Ian Hobbs
I am (leopard) (1994)
Figurine and book in glass box
Ashes 3 (1993)
Acrylic on paper on canvas board, gold leaf frame, in glass box on glass shelf
Untitled (glass) (1992)
Acrylic on paper on canvas board in glass box
Installed in Pier 7, Millers Point, Art Hotline event, “Glass”
14 November 1992
Specific Painting 2 (1992)
Acrylic on 6 identical printed canvases
Specific Painting (1992)
acrylic and paper on 5 identical printed canvases, inside perspex tower